Last week we posted the first part of an article from Territory about the Baoti Cornerstone Choir. The first part of the article interviewed the choir’s director, Huang Bo about his conversion to Christianity and subsequent call to start a gospel choir in Xiamen. This week in part two we see how Huang has led members of the team to grow both in their performance skills and in their faith.
An interview with Huang Bo and members of the Baoti Cornerstone Choir.
One of the more popular praise and worship songs in the Chinese church is “Qing Qing Ting,” or “Listen Quietly.” Based on Psalm 23, the song reminds us to listen quietly to the voice of our Good Shepherd.
If you find yourself worshiping at a church in China, chances are you may sing this song, titled “The Precious Cross."
The destruction of churches and widespread pulling down of crosses in Zhejiang province during the past year have served to highlight the dilemma facing China’s Christians, whose numerical growth has, for the past several decades, outstripped the availability of suitable venues for worship.
In March of 2014, over a thousand Christians from all over China attended the Grace to the City Convention held at Queen Elizabeth Stadium in Hong Kong. For two and a half days they listened to teaching by Tim Keller, as well as from urban house church leaders from various cities around China.
This series of blog entries refers primarily to the question of expatriate Christians attending services at registered—or at least publicly “open”—Chinese churches. It is assumed that in most cases, the risks to local believers (and to the expat workers as well) are such that it would be irresponsible to participate regularly in unregistered church services. Part one dealt with some of the common objections to attending Chinese church services. In part two some of the main reasons why I have chosen to attend Chinese church services were given. Part three lists some of the ways I have been blessed by my attendance at Chinese church services.
This series of blog entries refers primarily to the question of expatriate Christians attending services at registered—or at least publicly “open”—Chinese churches. It is assumed that in most cases, the risks to local believers (and to the expat workers as well) are such that it would be irresponsible to participate regularly in unregistered church services. Part one dealt with some of the common objections to attending Chinese church services. In part two some of the main reasons why I have chosen to attend Chinese church services are given. Part three lists some of the ways I have been blessed by my attendance at Chinese church services.
This series of blog entries refers primarily to the question of expatriate Christians attending Chinese services at registered—or at least publicly "open"—local churches. It is assumed that in most cases, the risks to local believers (and to the expat workers as well) are such that it would be irresponsible to participate regularly in unregistered church services. Part one deals with some of the common objections to attending Chinese church services. In part two some of the main reasons why I have chosen to attend Chinese church services will be given. Part three will list some of the ways I have been blessed by my attendance at Chinese church services.
Guest blogger Joel 大江 shares "some genuine Chinese Christmas songs, as in songs written by Chinese in Chinese and in a Chinese style, rather than sounding like corrupted English songs." This post originally appeared at China Hope Live on December 9, 2012.
"Stream of Praise," a California-based music ministry has had a profound influence on the music sung in churches in China. If you have been to China and attended an urban house church or a "youth service" at a Three-self Church, then you have most likely listened to, or sung, their songs. Founded in 1993, they have written 330 songs, and sung at more than 1000 events around the world.
The piece translated below is from a post on the Weixin (WeChat) page of the Beijing Gospel Church, one of the citys more prominent house churches. The writer is sharing his thoughts on the nature of worship in the church.