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清澈的溪水從山間巨石之間奔流而下,形成數道小瀑布,兩側山坡覆蓋著翠綠的草木。

台灣宣教⼠關顧現況

一場宣教士夫妻間令人揪心的對話,讓作者開始思考:如何整合現有資源,讓不同差派背景的宣教士,都能獲得持續而適切的關顧與支持?

The high-speed train travels on a bridge over a wheat field at sunset, with the city skyline in the background. Somewhere between Kunming and Beijing, between my father’s clickety-clack and this near-silent glide, I realized how much the world can change in a lifetime—and how faith, like memory, must find its voice again amid the noise and speed of progress.

Riding the Rails from Kunming to Beijing

Somewhere between Kunming and Beijing, between my father’s clickety-clack and this near-silent glide, I realized how much the world can change in a lifetime—and how faith, like memory, must find its voice again amid the noise and speed of progress.

Fast food restaurant dining room. Learning a few phrases in a few Chinese dialects was very challenging for me, but it is one of the best and most meaningful ways to engage with and minister alongside Chinese communities.

So Many Tones!

Learning a few phrases in a few Chinese dialects was very challenging for me, but it is one of the best and most meaningful ways to engage with and minister alongside Chinese communities.

Bamboo forest symbolizing Bamboo Culture. His story reminded me of my mother’s perseverance through her own trials—a resilience that rarely announced itself but became a legacy to the next generation.

Following in Footsteps

His story reminded me of my mother’s perseverance through her own trials—a resilience that rarely announced itself but became a legacy to the next generation.

A man walking on a bamboo forest path. When we peel back the layers of opposition we face in ministry, we often find something nasty and dark disguised within ourselves, calling out for “innocent clout,” legitimate influence, or ministerial camaraderie, but is it really just that we want to be liked?

Thin Office Walls and Thinner Egos

When we peel back the layers of opposition we face in ministry, we often find something nasty and dark disguised within ourselves, calling out for “innocent clout,” legitimate influence, or ministerial camaraderie, but is it really just that we want to be liked?

中國基督徒藝術家島子的黑白肖像。他戴著深色帽子與眼鏡,微微低頭,背景是模糊的建築。

以藝術服事生命

島子曾批評傳統文人畫長期「缺血」,缺少愛與犧牲。他以聖水墨直面苦難與不義,讓藝術不只是美的追求,也成為信仰與生命的見證。