God does not permit an absence of trials, and they come today with beating drums.
Though the snow blankets the ground, the red plum blossoms are still bright. As persecution arrives, our love for the Lord deepens.
華源協作團隊
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2019年12月17日
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觀點
A look at Chinese contemporary art.
Hannah Lau
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2019年12月16日
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故事
A new prayer app for praying through the year—for China.
Jay Arthur
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2019年12月13日
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資源
A believer ponders the spiritual dimensions underpinning the unrest in Hong Kong.
JI Yajie
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2019年12月11日
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觀點
Why returnees need ministry from their "home" churches abroad and how it can be done.
華源協作團隊
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2019年12月10日
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觀點
In the spring of 2019, ten of China’s highly respected Christian artists gathered at Purdue University to freely display and discuss their work with each other and a fascinated public. Only now is art being encouraged in the church, but this connectedness of art and faith is providing a refuge for artists in this increasingly difficult time.
BJ Arthur
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2019年12月9日
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學術
The author brings to our attention Christian propaganda posters, intentionally used in China between 1927 and 1951, aimed at toppling China’s ideological systems. They provide a view of what Chinese Christians believed about their faith, and how they believed Christ could transform China.
Daryl Ireland
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學術
This brochure, from an exhibit held at Bard College (Annandale on the Hudson, New York) in September 2011, is an introduction to contemporary Chinese art.
華源協作團隊
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學術
Contemporary Chinese Christian artists have grown out of historical relationships between Chinese culture, contemporary art, and Christianity. This article looks as these three factors to help us understand contemporary Chinese Christian art.
Clover Xuesong Zhou, John Camden
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學術
This article looks at the development of Chinese hymns and spiritual songs, along with some examples, during recent periods of Chinese history. These provide insight into the hearts of Chinese Christians during both the difficult days and today’s contemporary church.
XU Song-Zan
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學術
A word from the guest editor . . .
BJ Arthur
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學術
Using a conversation format, the life experiences and oil painting of Yang Feiyun, head of the Chinese Academy of Oil Painting, are explored.
Ah Qian
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學術