以藝術服事生命
島子曾批評傳統文人畫長期「缺血」,缺少愛與犧牲。他以聖水墨直面苦難與不義,讓藝術不只是美的追求,也成為信仰與生命的見證。
透過信徒、牧者、事工同工與研究者的觀察,了解中國境內基督教的歷史、信仰生活與當代處境。
島子曾批評傳統文人畫長期「缺血」,缺少愛與犧牲。他以聖水墨直面苦難與不義,讓藝術不只是美的追求,也成為信仰與生命的見證。
I used a soccer match as an analogy for forming effective teamwork in an outreach program for delivering holistic blessings to the community. The ministry can be initiated by a faith-based non-profit with church members joining the endeavor.
God also moved me to become a channel of the gospel to my family, friends, classmates, childhood companions, and even strangers I meet.
When grand narratives no longer serve as the backdrop for self-definition, the question of how an individual can better become themselves arises.
The volume’s case studies mirror many of the challenges Chinese cross-cultural workers and churches face today. The book covers not only culture-specific pressures on the field but also how national churches and agencies responded—or did not respond—to missionary stresses.
散居華人基督徒正從福音的接受者,走向跨文化事工的參與者。但若已成年的第二代仍被視為「孩子」,跨世代合作又該如何成為真正平等的同行?
2040年代的中國與中國教會,將會走向哪裡?與其急著預測未來,林慈信從中國、西方、教會與思想四個面向提出問題,邀請我們在不確定中學習觀察與守望。
While honestly embracing their own evangelical legacy, with its imperative for gospel witness, the Mennonites also found in their heritage values of “hosting, listening, waiting, learning, inquiring, affirming.”
教會無法再照常聚集,遠在海外的宣教士卻仍從故鄉的信徒身上得到力量。在限制、孤單與世代轉變的挑戰中,中國宣教運動如何繼續前行?
Based on a review of over 160 years of modern church history in China, the author takes an optimistic view of the current situation and firmly believes that God is preparing present-day China to embrace another great revival of Christianity—hereafter referred to as "China’s Next Revival."
Chambon’s reflections begin with an important question: How do Chinese Christians navigate their faith within a context shaped by deep ancestral traditions, material symbolism, and political restrictions?
To work effectively in today’s China necessitates letting go of the buffer of foreign privilege... and humbly embracing a still deeper engagement with Chinese society.